"The Ash Tree" - my novel about the California family of a survivor of the 1915 Armenian Genocide - was shortlisted for Stanford University's biennial William Saroyan International Writing Prize for fiction. It is the sole shortlisted novel with Armenian content. The final selection for the prize will be announced within a month. See and like the Facebook page for more information at https://www.facebook.com/theashtreeanovel/
FICTION about Armenians, Israel, music, & medicine. NOTES ON LITERATURE, ART, POLITICS, AND MUSIC
About the arts and ideas - on my novels and literature, music, and art
A new book about Beethoven gathers together (and completely rewrites and supplements) my blog posts on Beethoven into a short introduction to the composer, Ways of Hearing Beethoven, which I hope to see published. My novel The Fall of the Berlin Wall, completed a year ago, is about musicians and particularly the intense, irrepressible daughter of the legendary pianist featured in my previous novel Hungry Generations, now fifteen years after those events. Five years ago, my 2015 novel, The Ash Tree, was published by West of West Books in conjunction with the April 24, 2015 centenary of the Armenian genocide; it's about an Armenian-American family and the sweep of their history in the twentieth century - particularly from the points of view of two women in the family.
There are three other novels of mine, which I would love to see published. One is Pathological States, about a physician's family in L.A. in 1962. Another is Hungry Generations, about a young composer's friendship in L.A. with the family of a virtuoso pianist, published on demand by iUniverse, which I think would be of value to a conventional publisher. A Burnt Offering - a fable (a full rewriting and expansion of my earlier Acts of Terror and Contrition - a nuclear fable) is my political novella about Israel and its reactions to the possibility of a war with Iran (with the fear that it will be a nuclear war).
[My blog posts are, of course, copyrighted.]
[My blog posts are, of course, copyrighted.]
Wednesday, July 13, 2016
Tuesday, June 14, 2016
Revision of "Pathological States" finished 2016-17
I've placed the revised first chapter of "Pathological States" (replacing the original first chapter) in the blog entry for October 4, 2010 (which so far has almost 4000 views). With this new version, the search for an agent is resuming!
Here is a possible cover image:
Here's a synopsis:
Here is a possible cover image:
Here's a synopsis:
“Pathological
States” - a novel of about 67,000 words, 238 pages,
It is 1962, the year
of the Cuban Missile Crisis and hydrogen bomb testing, of Eichmann’s execution
and the Telstar satellite. Dr. Morris Weisberg is a sixty-one year old
pathologist, Chief of Laboratory, and a classical music lover and amateur
violinist. Medicine is an obsession for him, and a devotion to truth is
essential, he feels, in order to keep alive his professional values, which he
finds under attack at his hospital.
Both the doctor and
his wife, Sarah, are secular, educated Jews; they were born in Europe near the
beginning of the twentieth century, and each was brought to America at an early
age. Their mutual love of music brought them together in the 1920s, and now in
1962, the two of them are attempting to bear their chalice through the denatured
suburbia of L.A.’s San Fernando Valley. Their worlds of music, family,
medicine, and suburban survival are evoked in all their tragicomic intensity and
instability.
At home in Northridge,
the Weisbergs have raised two sons, and the family’s story is told by each
family member in turn. Gene and Albert are now in their twenties and return
this year to the suburban household. The young men—one of them is straight, the
other gay—act out their needs and resentments, and the suburban household
begins to fill with revelations of excess and abuse.
At work, Morris
unearths a disastrous instance of unprofessional conduct and a cover-up
reaching to the office of the Hospital Director. As the pathologist struggles
with his ethical responsibilities and the threat to his career, buried truths
erupt both at work and at home. He tries to control his rage and disorientation,
only to plummet deeper into depression. The heartbreaking struggle persists in
him, though, to affirm his love of science and of music, despite the despair he
experiences in sunny California and early sixties America.
By the end of “Pathological
States,” Morris Weisberg becomes a moving, larger-than-life Dr. Quixote, both
noble and destructive. This eloquent and powerful novel zooms in close to Morris’
tragicomic struggle and pans far out to see what signs of reconciliation and healing
endure in his time and place.
Video of Interview about "The Ash Tree" on the Joan Quinn Profiles
Here's a link to my interview in late April of 2015 about "The Ash Tree" - on the Joan Quinn Profiles (a cable arts interview show). At first it took quite a while to load, but it seems to be working now. Hope it's interesting and enjoyable. [Highlight the web address below and click on the "go to" link.]
http://www.garygarver.com/entertainment/JoanQuinn/joanquinn15865.html
http://www.garygarver.com/entertainment/JoanQuinn/joanquinn15865.html
Saturday, April 2, 2016
Lecture on the Armenian Genocide
If you are in Cleveland, hopefully you can attend this significant lecture April 4 at CWRU on the historical ramifications of the Armenian Genocide - the lecture is featured in the following article:
Thursday, December 3, 2015
Show of Jeanette Arax Melnick's paintings - a Plain Dealer news article about the Beachwood Library show this month
Here's a link to the YouTube video of Jeanette's show: https://www.youtube.com/watch?v=40YY0m6yyaw .
Beachwood artist explores Armenia, geometry, Sid Vicious and folk art in exhibit

Art is always personal. But it goes beyond that in the case of Jeanette Arax Melnick, who will exhibit her works at the Beachwood Branch of the Cuyahoga County Public Library. (John Petkovic/The Plain Dealer)
Email the author | Follow on Twitter
on December 03, 2015 at 2:15 PM, updated December 03, 2015 at 2:35 PM
0
| ||||
| ||||
|
CLEVELAND, Ohio -- Art is always personal. But it goes beyond that in the case of Jeanette Arax Melnick.
Yes, there is a personal side in works by the Beachwood artist, who will exhibit her paintings at the Beachwood Branch of the Cuyahoga County Public Library during the month of December.
(The show opens at 2 p.m. Sunday at the library, 25501 Shaker Blvd, Cleveland. For more info, go to cuyahogalibrary.org/Branches/Beachwood.aspx or call 216-831-6868.)
You can see it in "The Quince Tree," a work that was inspired by a photo of her and her father, taken when she was a little girl, in 1946. The photo is in the work itself, along with photos of her grandchildren, children and husband.
But her relationship with the world is as much spatial one – in which she absorbs aspects of it through the senses or through patterns rather than just the heart or mind.
"Sometimes I just look at the world and see all these geometric shapes and I see aspects of my paintings in them," says Arax Melnick. "Like right now I'm sitting in a room looking at pillows or I could be looking at an oriental carpet and finding interesting patterns."
There is little pattern when it comes to divining the Fresno, Ca. native's style – which shoehorns folk art and "museum type art," as she likes to say.
"Art was always my companion and I never sought out to follow a particular style or painter," she says. "I started to study painting at (University of California, Berkley), but I switched to history because I realized that I wanted to be my own painter."
She delved into medieval history, along with the "flatness" found in its art. She has created in the shadows of a family history that extends back to the Armenian genocide of 1915 – which led to her family settling in California.
"Armenian history is very complicated, especially with Turkey denying the genocide of 1.5 million Armenians," says Arax Melnick, whose husband Daniel Melnick recently released a novel that honors the memory of the genocide. "And yet that complication has given me a feeling for the suffering of all mankind."
"As a child, I was inspired looking at old Armenian manuscripts and seeing these people with big brown eyes and soulful looks," she adds. "They look like they've suffered and yet survive and go on."
Sid Vicious -- the English punk from a much later time, 1970s London – captivated her in a very different way.
"Sid Vicious," one of works by Jeanette Arax Melnick that will be on display at the Beachwood Branch of the Cuyahoga County Public Library.John Petkovic/The Plain Dealer
"I never listened to his music, though I know Aaron and Lennie have," says Arax Melnick, referring to her sons, co-founders of legendaryCleveland hardcore band Integrity. "I just loved his face and the zippers."
For years, the painting hung at the old Arabica on Coventry. Arax Melnick received a number of offers for it, but chose to hold onto it.
"It's hard to give up on that Sid Vicious," she says. "I've never looked at the money side of it."
It's all matter of perspective, even when it comes to art.
"I tend to avoid perspective and I think it's given my work a certain character," she says. "I'll have a table that looks like it's floating and could see it as an illusion, but to me it's just how I see it and see the world. So I guess you could say the world is an illusion, too."
Subscribe to:
Posts (Atom)

