My newly completed novel is The Fall of the Berlin Wall, about what happened to characters from my Hungry Generations fifteen years later; it's about musicians and particularly the intense, irrepressible daughter of the legendary pianist at the center of the previous novel. My 2015 novel, The Ash Tree, was published by West of West Books in conjunction with the April 24, 2015 centenary of the Armenian genocide; it's about an Armenian-American family and the sweep of their history in the twentieth century - particularly from the points of view of two women in the family.
There are three other novels of mine, One is Pathological States, about a physician's family in L.A. in 1962, which is as yet unpublished. Another is Hungry Generations, about a young composer's friendship in L.A. with the family of a virtuoso pianist, published on demand by iUniverse. A Burnt Offering - a fable (a rewriting and expansion of my earlier Acts of Terror and Contrition - a nuclear fable) is my political novella about Israel and its reactions to the possibility of a war with Iran (with the fear that it will be a nuclear war).
[These blog posts are, of course, copyrighted.]

Tuesday, March 26, 2019

Literature and Music talks - session 5 - Late Romanticism and Early Modern


Baudelaire:   and Flaubert: images

Flaubert (1821-1880), Madame Bovary (1857) – from Part Two, Chapter 8: text...
 
What Emma hears in Pt. Two, Ch. 15: Donizetti’s “Lucia di Lammermore” Act 1 Finale Ah! Verrano a te sull'aure”:
LUCIA On the breeze
will come to you my ardent sighs…
When you think of me
living on tears and grief,
then shed a bitter tear
on this ring, ah, on this ring, etc.
ah, on this ring, etc.
EDGARDO and LUCIA On the breeze will come to you, etc. EDGARDO Remember, Heaven has joined us!
EDGARDO and LUCIA Farewell!     
https://www.youtube.com/watch?v=xToxhv_Y9nc  Sutherland, Pavarotti.
Verlaine, Mallarmé (by Manet), Debussy: images and texts...
    
Text for Debussy’s Prelude to the Afternoon of a Faun (0-3:00) – and recreation of Diagalev/Nijinsky ballet:
Debussy – from his libretto based on Maeterlinck’s play Pélleas et Mélisande:
Mélisande: [I love you.] Forever. Ever since I first saw you.
Pelléas: It is as if your voice had come over the sea in the spring! I have never heard it until today. It’s as though it had rained on my heart. You say those words so openly, like an angel answering questions. I can scarcely believe it, Mélisande. Why should you love me? Why do you love me? Is it true what you say? Were you making it up? Were you lying to me just to make me feel happy?
Mélisande: No, I never tell lies. I only lie to your brother.
Pelléas: Oh, the way you say that! Your voice, your voice! It is as fresh and as clear as water! It is like pure spring water on my lips. It is like pure spring water on my hands. Give me your hands, let me take your hands. Oh, your hands are so tiny! I never knew you were so beautiful. I had never set eyes on anything as beautiful before. I could not rest, I kept searching everywhere in the house, I kept searching everywhere in the country, but never found the beauty I sought. And now at last I have found you. I have found you. I don’t believe there is anywhere on earth a woman more beautiful. Where are you? I don’t hear your breathing any more.
Debussy, Pelleas and Mellisande – 1902 (7:30 to 9)
Mallarmé – from “Literature and Music” – Oxford speech, 1894: > text...
Pater (1839-1894) – from “Giorgione” (1877) in Studies in the Renaissance,  Conclusion to Studies in the Renaissance (cancelled in 2nd ed., then restored in 3rd): texts...
Debussy, La Mer – 1905 (Boston, Munch) 16:00 https://www.youtube.com/watch?v=FOCucJw7iT8
Stravinsky, The Rite of Spring – 1913 – Beginning (Orch. de Paris, Boulez) https://www.youtube.com/watch?v=XrOUYtDpKCc
Ending (L.A.Phil, Salonen) https://www.youtube.com/watch?v=CSyOfJRmbLY  -From“Poetics of Music” ’38: text...
Image of Debussy and Stravinsky.

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